Archive for December, 2005

The Last Blog Post (of 2005!)

Saturday, December 31st, 2005

What a year 2005 has been for Comstock Films!

In 2005 we went from being a quirky little indie company with one cult hit, to to a quirky little indie company with two certifiable breakout best-sellers. We went from shoe-string, DIY, handicam productions to shot-on-film production methods that rival anything in the mainstream adult industry, and we went from being almost totally unknown except within a very few sex-positive circles, to national recognition for breaking new ground in erotic film.

In January, “Marie and Jack” received a warm review in Penthouse Magazine:

…Through well-done, thoughtful interview segments, they describe their meeting and initial attraction, and give insight into their sex life. Their sex scene, which runs half an hour, is considerably different from what Aria’s fans have seen before. From slow, sensuous kissing to genuine, real-life orgasms, she and Bravo open up in a way few in this business have ever done.”

That same month, we shot two new scenes, one gay (Damon and Hunter) and one lesbian (Ashley and Kisha). Both used the same intimate documentary style established in “Marie and Jack” and “Xana and Dax” , but with the growing commercial success of our work, we were able to move from shooting on video to shooting on film.

In February, Comstock Films travelled to San Francisco, where we shot five more couples (three straight, two lesbian) — burning nearly 16,000 feet of film in the process.

In late May we released “Xana and Dax”, and it immediately became a bestseller, with some of our wholesale customers making six and seven re-orders in as many weeks.

In the early Summer, the mainstream press began to take notice of Comstock films. Writing in the July issue of Esquire Magazine, Stacey Grenrock Wood said:

“You may want to try a title from Comstock Films, a company that specializes in films of real couples having real sex, documentary style. Founder and director Tony Comstock offers an alternative for those people who find themselves turned off by the established porn aesthetic.”

In the August issue of Men’s Fitness, adult superstar Tera Patrick put “Marie and Jack: A Hardcore Love Story” at the top of her list of adult films she’ll watch with you for a “passionate time together”.

The next month, in the article “Was That Movie Good for You?” Tango Magazine name “Marie and Jack” and “Xana and Dax” to the top of their list of films couples should watch to spice up their relationship:

“Marie and Jack, porn stars married in real life, have the genuine chemistry and knowledge of each other’s bodies to make this film sizzle. It starts slowly, with the couple discussing the intimate details of their love, before getting down and dirty. Xana and Dax: When Opposites Attract, offers a similar scenario.”

Of course September also brought the shocking tragedy of Hurricane Katrina on the Gulf Coast, and like many of our colleagues we felt moved to respond. Starting at midnight on September 14th, we held a one day benefit, with all proceeds from sales going to the American Red Cross. The response from our customers was unbelievable, and in 27 hours we raised over $4,000.

October found us in the pages of TimeOut New York in their article “The New Pornographers”:

“One feature of the local aesthetic is that it avoids the stereotypical silicone-enhanced Barbie types. Comstock Films finds real couples willing to do the deed on camera.”

That mention led to an invitation to meet with HBO, which may or may not mean something in 2006. Whatever the case, it was fun to hear them say nice things about our work, and it was exciting to tell them about what we do!

In November we stuck our toe in the shallow end of the video podcasting pool, begining by offering “Marie and Jack” in a serialized, syndicated format. If sales numbers since then are any indication, this is turning out to be a great way to bring the Comstock Films vision of sexuality and filmmaking to an even wider audience!

That same month, encouraged by our own assessment of “Damon and Hunter: Doing it Together” as well as enthusiastic feedback to rough-cuts, we decided to re-transfer the negative to HiDef and master the project in HD. This may well make “Damon and Hunter” the first adult sexually explicit movie shot on film and mastered in HD.

December found both Comstock’s offerings on the Eros Magazine Holiday Shopping Guide:

“Comstock films released the excellent Xana & Dax: When Opposites Attract, the follow-up to their award-winning Marie & Jack: A Hardcore Love Story. Also depending on an interview format — by now a hackneyed gonzo-porn cliche — Xana & Dax is far from standard-issue porn. The sense of emotional intimacy throughout this exceptional feature is enough to set it apart — but even if it weren’t, the gorgeous performers and intense sexuality makes Xana & Dax compete with the hardest of hardcore on its own terms.”

And of course this is all beautifully capped off by finding “Xana and Dax: When Opposites Attract” on Violet Blue’s “Best Porn Films of 2005″ list!

On a personal note, one of the most satisfying aspects of all of this, is that it’s been an entirely independent effort. Our projects are independently financed, independently produced, and independently distributed. That independence comes at a cost, and the cost is increased risk – I’ve got a few more wrinkles and grey hairs than I did a year ago.

But that independence has also given us the freedom to go our own way, to shoot sex the way we think it should be shot, and to give our projects the budgets, time, and attention we think they deserve. This isn’t always the easiest way to do things, and it may not even be the best. But it lets me make the kind of films I want to make, and hopefully give people the kind of films they want to watch. And as I’ve taken the time to review what we’ve accomplished in 2005, I think we might just be doing something right!

None of this would have happened without you, the people who buy our films, tell your friends “I’ve found something different and special!”, leave comments on this blog, and send us notes of encouragement. I see each and every notification of a new sign-up for this newsletter or blog comment, and every one of them encourages me to keep going, and keep making these films, even when that gets difficult or discouraging. Without all of you, this vision that is Comstock Films would have withered away long ago. Instead it’s blossomed into something that I’m very proud of. I hope you are too!

From Peggy and me,

Thank you, and Happy New Year!

Damon and Hunter2005 Fleshbot Dreamboats of the Year

Saturday, December 31st, 2005

Says Fleshbot:

“Even if including our favorite porn star couple-slash-blogging superstars together in one entry bumps this list up to eleven, we sort of had no choice but to have up-and-coming dreamboats Damon DeMarco and Hunter James share the same spot: after all, with two guys this smart, funny, and adorably sexy, there was no way we could possibly choose one over the other. Who says true love and hot smut don’t mix?”

Did someone actually say true love and hot smut don’t mix? Certainly no one here at Comstock Films. In fact, as far as we can tell, it’s a vital ingredient!

You can see who else is on the Fleshbot Dreamboats of 2005 list here.

The Comstock Films Video PodcastMarie and Jack: A Hardcore Love Story, Episode 5

Tuesday, December 27th, 2005

It’s time for episode 5 of the award-winning erotic documentary, Marie and Jack: A Hardcore Love Story.

In keeping with the holiday spirit, in episode 5 of “Marie an Jack: A Hardcore Love Story” we hear a thoroughly pleasured Marie explain that it’s just as much fun to give as it is to receive – and then see her bring her husband Jack to a copious orgasm!

For your iPod or iTunes:
pcast://feeds.comstockfilms.com/ComstockFilmsVideoPodcast

All others:
http://feeds.comstockfilms.com/ComstockFilmsVideoPodcast

And don’t forget, if you like what you see, you can get the entire film on DVD from The Comstock Films DVD Shop. Free shipping now through the end of the month!

Girls on Film

Friday, December 23rd, 2005

Do you know about international calling cards? They’re amazing. Last night I spent about two hour gabbing with Ell in Australia and the whole conversation cost about $2.00. We talked about all sort of things, including my upcoming trip to AEE, which I’m both excited about and dreading.

I’m excited because we need to get the word out about Damon and Hunter and people I know who’ve been there before tell me the gay side of things is pretty low-key and we should actually be able to talk to make some connection. I’m also looking forward to it because there are some people who I’ve met and got to know online, but have never had the chance to meet in person.

I’m dreading it because the whole convention thing is not my bag. For better or worse I don’t go to other industry conventions, like NAB, which is practically a mandatory networking opportunity for people in the film and television industry. And one of the things I’m dreading about this convention in particular are the hordes of fratboy fans, with ballcaps, goatees, and digital cameras clamoring for souvenir gropes and snapshots. So not my scene.

As Ell and I talked about it, I started to have the idea that maybe I’d like to bring a camera and a few hundred feet of film. Film is almost never used in porn, not even for stills anymore, so our entire idea of what porn people look like is mediated by the harshness of digital video, and I started to think it would be nice to see how these men and women look when rendered through the decidedly gentler medium of a photo-chemical emulsion.

It’s not a new idea. A couple of years ago photographer Timothy Greenefield made a lovely book 30 Porn-Star Portraits featuring simply lit, frankly photographed portraits of greater and lessor names in the business, rendered as only a large format camera can render them.

But those were stills. When it comes to moving images, our idea of what porn people look like is formed almost entirely by what they look like though the lens of a Canon XL-1 or similar. Would it be interesting to see what they look like on film?

I think it might be, in fact I can practically see the finished piece in my head; a cavalcade of faces; some familiar and some not so much; some delighted, some suspicious but tolerant; all tumbling by. The music is light, perhaps even a little humorous, but always kind. A saucy one flashes a tit, and a defiant one flips the bird, and the faces tumble by, all rendered with that gentle, loving look that only film can give.

Would it be worth wandering around being a camera geek for a day? Would it be worth 400 or 800 feet of film? It might be, it just might be…

While My Camera Gently Weeps

Friday, December 23rd, 2005

Someday, if I keep at it, I’ll be able to make porn as well as this guy is able to play the ukulele.

Enjoy Njoy

Thursday, December 22nd, 2005

Njoy Stainless Steel Sex Toys.

Look for them in upcoming Comstock Films productions!

The Comstock Films Video PodcastMarie and Jack: A Hardcore Love Story, Episode 4

Monday, December 19th, 2005

It’s Monday morning, which means it’s time for episode 4 of the award-winning erotic documentary, Marie and Jack: A Hardcore Love Story.

In this installment, Marie tells us why harder, faster, and deeper isn’t always better, and we see Jack’s special technique for giving his wife love just the way she likes it!

For your iPod or iTunes:
pcast://feeds.comstockfilms.com/ComstockFilmsVideoPodcast

All others:
http://feeds.comstockfilms.com/ComstockFilmsVideoPodcast

And don’t forget, if you like what you see, you can get the entire film on DVD from The Comstock Films DVD Shop. Free shipping now through the end of the month!

The Crash Pad

Sunday, December 18th, 2005

The first rule of Crash Pad is: Go buy Crash Pad.
The second rule of Crash Pad is: Go Buy Crash Pad!

What is The Crash Pad ?

The Crash Pad is the directorial debut of Shine Louis Houston, of Pink and White Productions

Built on the simple premises of trysting pad for young dyke hipsters, The Crash Pad cunningly samples from feature, vignette, and gonzo techniques to create a film that is completely believable, totally watchable, and very hot.

The film revolves around an invitation-only apartment for the sole purpose of sex, a haven for young women to give themselves to each other completely. And as the door key passes from hand to hand, as it transports us from scene to scene, where we’re treated to an authentic and diverse sample of San Francisco dykedom.

Butches, fems, pixies, bois; white, black, brown; onesomes, two-somes, and threesomes. Oral, anal, fingering and fisting (NC-17). And of course lots of kissing and lots of orgasms – big, wet, squirting orgasms.

Who won’t like The Crash Pad?

If you don’t like lesbian sex, then The Crash Pad is not for you.

If you want your lesbians to look like Barbie dolls, then The Crash Pad is not for you.

If you need your porn so over-lit , it looks like it was shot on the set of The Today Show , The Crash Pad is not for you.

If you’re scared of hard, almost violent finger fucking and fisting, the The Crash Pad is not for you.

If you’re scared of real connection and real sexual intimacy, the The Crash Pad is not for you.

The Crash Pad is a sexual fantasy for the rest of us, a fantasy about the reality of hot sex; beautiful fucked and beautifully produced.

The first rule of Crash Pad is; Go buy Crash Pad.

The second rule of Crash Pad is: Go Buy Crash Pad!

Tony Comstock’s Christmas List

Saturday, December 17th, 2005

Nine times out of ten, we spend Christmas day at Mrs.C parents’ house. Christmas is boom time for the kids, because they’re well outnumbered by aunts and uncles, but it’s always a little stressful for me. Not the day itself, but making my Chistmas list.

The game my inlaws is secret Santa, the limit is $100 bucks, and I can never think of anything to put on my list.

But not this year. I just hope it’s not too late!

Have You Driven a Ford Lately?

Wednesday, December 14th, 2005

Not me. We have an old, pre-Ford takeover Volvo station wagon. Mrs. C likes it very much, and I had thought that when it was time to get a new car I might be able to get over my grudge against Henry Ford long enough to buy another one.

Not now. Probably not ever.