Archive for September, 2007

Community Standard Fail When Communities Fail

Wednesday, September 26th, 2007

From Fancies and Fuckeries:

“Community standards as we all know are densely hypocritical, fluently contradictory, and more then often severely corrupt. Going on the basis of using an example of road rules, everyone knows that speeding kills, that it is a thoughtless act, and finally an offense, yet one only has to look at the figures for those booked speeding per year to realise that our community standards towards road safety are incredibly low. Using community standards to measure anything is the most shallow and thoughtless method of regulating anything.”

I count myself lucky that when I was about 18, my mother received a small fellowship to spend four weeks at University of Indiana studying James Madsion. Says Madison about the danger of majority rule:

“A pure democracy can admit no cure for the mischiefs of faction. A common passion or interest will be felt by a majority, and there is nothing to check the inducements to sacrifice the weaker party. Hence it is, that democracies have ever been found incompatible with personal security or the rights of property; and have, in general, been as short in their lives as they have been violent in their deaths.”

I wonder what Madison would have to say about the Miller Test, most especially its first prong:

Would the average person, applying contemporary community standards, find that the work, taken as a whole, appeals to the prurient interest.

I’d venture there’s a good chance he’d say that using community standards to measure anything is the most shallow and thoughtless method of regulating anything. I’m quite sure he say it’s terrible, dangerous imposition on freedom of speech.

“Our decision is final.”

Monday, September 24th, 2007

It’s four in the morning here and I just finished a long chat with a representative of the OFLC.

“Ashley and Kisha” has not been classified, which meant that the OFLC could have given it a festival exemption to play at MUFF.

But OFLC refused to give it a festival exemption on the basis that my previous three films were classified X.

I asked why Destricted, which features work by Larry Clark, who’s previous film was refused classification, was given a festival exemption to play the same night as Ashley and Kisha, across town at ACMI, a and they could not answer.

I asked why Destricted, which features brutally mercenary depictions of the most loveless anal sex, was given a festival exemption and they could not answer.

Their suggestion was that we submit “Ashley and Kisha” for rush classification, in the hopes that we would receive a R classification.

But…

When I asked why 9 Songs, which feature actors performing cunelingus, felatio, ejaculation, and penetration was given an R, while our films which depict actual lovers are given an X, they could not answer.

When I asked why Shortbus, which features, among other things, an actor masturbating and then ejaculating on his face was given an R, while our film, which explore sexual pleasure inside the context of committed real-life loving relationships, they could not answer.

When I asked why numerous videos from the Sinclair Institute, which feature various sex acts performed by paid models, and presented under the guise of education are given R , while our film, which are held in the libraries of The Kinsey Institute at the University of Indiana, Planned Parenthood, The Gay Mens Health Crisis, The San Francisco Sex Information Hotline and many other health and education organizations are given an X, they could not answer.

They have told me the process is subjective and imperfect; yet this process has a “perfect” track record of marginalizing our films.

Now they would ask that we once again submit our work to this subjective and imperfect process, pay $1,000 for the privilege of doing so, against the hope that the fifth time’s the charm.

I may be a fool, but I’m not that kind of fool.

Writing about “Ashley and Kisha” Megan Spencer said, “The sweetest thing - Kisha & Ashley is one of the sweetest love stories you’re ever likely to see committed to film. The Comstocks once again put their perfect documentary formula to good use - true love and real sex - on screen; what’s not to like?!”

True love and real sex, what’s not to like indeed?

Obviously the OFLC has no problem with real sex. It has granted its R classification to 9 Songs, Shortbus, and many other videos containing real sex. It has granted a festival exemption to Destricted, which contains real sex.

One can only conclude that the problem the OFLC has is with true love, and what a pity that is; for this film, for the people who wanted to see it, and for Australia.

I Like Ike

Sunday, September 23rd, 2007

“If all that Americans want is security, they can go to prison. They’ll have enough to eat, a bed and a roof over their heads. But if an American wants to preserve his dignity and his equality as a human being, he must not bow his neck to any dictatorial government.” – President Dwight David Eisenhower

No Good Deed Goes Unpunished

Saturday, September 22nd, 2007


A poster for the MUFF screening, somewhere in Melbourne’s Fitzroy district

Over the last 48 hours we’ve been writing and talking to a lot of people, including Amy Wooding, exemptions officer at the OFLC.

What has become clear is that the OFLC’s decision to ban seven films from this year’s Melbourne Underground Film Festival is an act of retaliation.

In Australia, film festivals are required to submit a list of the unclassified films they wish to screen to the OFLC and get permission to screen them. Unclassified films would include student work, undistributed work, films from outside Australia that do not yet have Australian distribution, basically any film that has not, and perhaps will never be put through Australia’s manditory ~$800 classification process.

Last year MUFF’s list included our film “Damon and Hunter: Doing it Together”, which had already been classified X by the OFLC, and the OFLC refused to grant a festival exemption to screen the film, and warned the festival not to screen the film. (The full details Aussie classification system, and the Kafkaesque x-rating is a subject for another post.)

MUFF went ahead and put “Damon and Hunter” on the program anyway. The fact that this was being done in defiance of OFLC orders was kept secret, even from me. This was our first festival outting, and we didn’t know what to expect. But we postered, blitzed the local press and hoped for the best.

In fact, so many people turned out that only by the luck that our distributor had another copy in her bag were there able to put the film up on a second screen for the overflow. By all accounts the screening was very well received.

From there the film was invited to screen at Sydney’s QueerDOC, and was scheduled to play two nights. Again the OFLC rejected the festival’s request for an exemption, only QueerDOC, citing among other things, their need to ask the OFLC’s permission to screen nearly all of the films they program, and their dependence on government funding, complied with the OFLC’s demands.

At the time, I was rather angry that QueerDOC did not go ahead with the screening of “Damon and Hunter.” But in light of the retaliatory action by the OFLC against MUFF, it would seem that QueerDOC’s course of action, if not especially courageous, was prudent. MUFF receives no government funding, but the OFLC has punnished MUFF by applying its censorship powers as broadly as it can to MUFF’s 2007 roster of film.

What happens next? Who knows.

Every Aussie filmmaker who hopes to see their work play outside the edit bay must bear in mind the OFLC as they cut their film. Every Australian distributor and festival programmer knows they must submit their films to the OFLC. Every DVD shop knows that when they sell DVDs of films that have not been classfied by the OFLC, they do so in the halflight of a selectively enforce law. I don’t know how many of our Australian collegues want to speak out against this tyranical action by the OFLC. I don’t know if any of them feel they can risk speaking out.

Our Aussie distributor is beside herself. She’s the sort of distributor every independent filmmaker dreams of finding, a passionate, tireless advocate of our work. But for now, she and MUFF would seem to stand alone. There has been no outcry, no call to arms. Right now would seem as if the Australian film community simply looks on and says, “There but for the grace of God go I” – and maybe they’re right.

More news if there is more news.

The Magnificent Seven

Friday, September 21st, 2007

Here are the seven films that the Australian government has banned from the Melbourne Underground Film Festival:

70k
Schulmädchen-Report: Was Eltern nicht für möglich halten (aka The Schoolgirl Report)
Sex Wish
The Farmer’s Daughter
Ashley & Kisha: Finding the Right Fit
Whore
60 Second Relief

Think about this for a moment.

We’re not talking about the government of Iran or Saudi Arabia dictating what films a festival can and can’t show.

We’re not talking about self-appointed morality police picketing, protesting and lobbying.

We’re talking about the Australian government, in 2007, dictating what can and cannot be screened in a film festival.

Sons and daughters of Gallipoli, is this what you want?

Banned in Australia Again

Thursday, September 20th, 2007

I just found out that while I slept, the Australian Office of Film and Literature Classification has informed the Melbourne Underground Film Festival that they will not be given exemptions for about a half-dozen films, including ASHLEY AND KISHA: FINDING THE RIGHT FIT.

Last year our film DAMON AND HUNTER: DOING IT TOGETHER had its world premiere at MUFF, and went on to be named Best Documentary. From there it was invited to show at two screenings at QueerDOC Gay and Lesbian Film Documentary Film Festival in Sydney, but the festival was threatened by the OFLC with both a fine and jail time, and QueerDOC elected not to show our film.

More news when I have more news.

More Censorship in Australia

Monday, September 17th, 2007

Last week, one of our best friends in Australia, OutDVD received notice from the Australian Attorney General’s Office demanding that they remove all unclassified DVDs from their retail and rental inventory.

Unclassified material makes up two thirds of OutDVD’s stock, and includes DVDs such as the third season of the critically acclaimed Showtime series THE L WORD, our own ASHLEY AND KISHA: FINDING THE RIGHT FIT, and many other titles of interest to Australia’s gay and lesbian community.

Please take a moment and sign OutDVD’s online petition to the AG’s office.

Do you remember the first time you fell in love?

Tuesday, September 11th, 2007

MUFF poster for ASHLEY AND KISHA, courtesy of my lovely and talented wife!

Dible vs. The Chandler Police Department: I Feel a Chill

Saturday, September 8th, 2007

The Ninth Circuit Court of Appeals has just rejected, in a two to one decision, a first amendment argument by a police officer who was fired from his job after it became known that he and his wife operated a website that featured images of them naked, having sex with each other, and with others. The reasoning of the court is that, while the officer does have a constitutional right to run his website, he does not have a constitutional right to keep his job.

This is a similar line of reasoning to the Alabama dildo case. In that case the court found that while the right to privacy protected an Alabaman’s right to own a dildo, there was no constitutional right to sell a dildo. This failure-to-find-protection angle is a common gambit, used by courts as a facile end-around established rights, and is precisely what the framers who opposed the Bill of Rights feared. You won’t find the right to sell a dildo enumerated in the Constitution or Bill of Rights any more than you’ll find the right to sell blue shirts.

—-

A few years ago I was approached by a couple in their mid-forties. They had seen our first two films, and she especially was keen on making a film with us. She had a story she wanted to tell.

The were married, the second time for both of them. The circumstances of his first marriage were unremarkable, but I still recall her narrative vividly.

She had married for the first time in her early twenties, to a man she with whom she was deeply in love. Their life together was comfortable and affectionate, but as the years went by, she grew to feel there was something missing. Their relationship cooled and after ten years she and her first husband divorced.

A few years later she met the man who was to become her second husband. Their courtship was passionate and physical, but they did not have sex until they became engaged to marry. In bed with her second husband-to-be, she found at least part of what had been missing in her first marriage – she had her first orgasm.

Eight years later, she did not hold any ill-will towards her first husband. She had been no less ignorant then he, but the fact remained that she had experience only limited sexual fulfillment in her first marriage, and with the benefit of hindsight, she was able to see how the lack of fulfillment contributed to the demise of the marriage.

The reason she was so keen on making a film with us is that she want to give testimony to the importance of sexual pleasure. She especially wanted other women to hear her story, to hear about how finding sexual pleasure and contentedness nourished both herself and her relationship.

Her husband was no less interested. He took pleasure in having been his wife’s guide and facilitator in her journey to sexual fulfillment. He was unabashed in his affection for her, and proud of the lusty sex life the two of them enjoyed.

But there was a problem.

He was a police officer; a detective actually. He wasn’t concerned what some people might think, but he was concerned about his job security. They were not in a position financially to easily endure the loss of his job, even temporarily; and as they balanced that fact against their desire to tell their story, the need to make their house payment and have health insurance won out.

—–

Decisions in First Amendment cases often involve concern over the “chilling effect” that suppression of unpopular or offensive speech – speech that arguably contributes nothing to the public discourse – will have on unpopular or offensive speech that is necessary and vital to the intellectual discourse of a pluralistic society.

I can’t comment on what “socially redeeming value*” the Dibles’ website might have, but I can comment on the effect of knowing that a civil servant can be fired for expressing unpopular ideas, even ideas that have no bearing or relationship to the that person’s work. If the Chandler Police Department can fire Officer Dible for making and appearing in an unpopular website, what’s to stop them from firing an officer who appears in an unpopular play, or writes an unpopular book? A politicized civil service is as dangerous to a liberal democracy as a politicized military, but more insidious.

Perhaps the Dible’s website has no more value to the intellectual discourse of our nation than as a baroque expression of the freedoms upon which this nation was founded. In measuring these freedom’s against the concern over what harm this website might do to the Chandler Police Department, and the deciding that sniggering and sneering count for more than Officer Dible’s First Amendment rights, the Ninth court has made it harder for me to make my films. I feel chill in the air, a chill that has nothing to do with the changing of the season.

*I use this particular phrase because this was the standard for obscenity set in Roth v. The United States, later replaced in Miller v. California with a three-pronged test, aka The Miller Test. But it should be noted that nothing on Officer Dible’s website was alleged to even remotely rise to the threshold set for obscenity in Miller.

ASHLEY AND KISHA to Play Out on Film in Hotlanta!

Wednesday, September 5th, 2007

“Dear Mr. Comstock,

“We would like to screen ASHLEY AND KISHA: FINDING THE RIGHT FIT at Out on Film in Atlanta. The festival will take place October 11-18, though at this point a specific screening date and time has not been determined…”

We do have a date, time, venue for ASHLEY AND KISHA at the Melbourne Underground Film Festival, and a great mini review from Australian film critic Megan Spencer:

“The sweetest thing - Ashley & Kisha is one of the sweetest love stories you’re ever likely to see committed to film. The Comstocks once again put their perfect documentary formula to good use - true love and real sex - on screen; what’s not to like?!”

ASHLEY AND KISHA: FINDING THE RIGHT FIT
10.15pm Saturday 29th September Glitch Bar in Fitzroy.

Poster coming soon!