New post at TITA: The Collapse of the Studio System and the Rise of the “Art House.”
Meanwhile, over at TheIntentToArouse.com:
“Where my uncle and I meet is in the very grown-up movies of the late 60s and early 70s –Carnal Knowledge, Klute, Midnight Cowboy, etc – the films made in the very first few years after the demise of the Production Code. But before getting into those movies, why they suddenly flourished and then just as suddenly disappeared, I think it’s worthing taking a look at the forces that brought about the end of the Production Code.”
We’re starting to build an nice little cadre of film-loving commenter, including just now, my beloved uncle who I’ve mentioned from time to time on this blog. If you’re intrigued by the collision of sex and the moving image, why not click on over and join the discussion!
